Showing posts with label Seven Pounds. Show all posts
Showing posts with label Seven Pounds. Show all posts

Tuesday, December 9, 2008

Random Video & Rant: Happy Endings

I thought I'd post clips from two of my favorite movies. Which just happen to have two of the best endings I know of. Coincidence? Not if remember Josh's Equation For Movie Enjoyment (or JEFME):

(Movie Quality + Ending) / Expectation = Enjoyment

When I previously talked about the equation in this post, it was in the context of how expectations color judgment, but endings are huge. As you can see in the equation, I rate a movie's ending as carrying equal weight to the overall quality. Part of that is because no A movie could ever have an F ending, just as no F movie could have an A ending.

But part of that is the fact I feel the lasting taste in a viewer's mouth is crucial to the moviegoing experience. If you've seen what could've been an A movie turn into a B because of a D ending, you're enjoyment is not a B. It's a C (depending on expectations) because although you just saw a B movie, your deflation at what might have been drags your enjoyment level down a notch.

And that's why it's no surprise two of all-time favorite -- arguably my top two -- are movies with terrific endings. It not only fits JEFME, it's the basis for it. I usually say 'The Shawshank Redemption' over 'Seven' when asked about my favorite movie because the moviegoing experience I had seeing it the first time was the best I've ever had. 'Seven' comes in a close second. The difference? Expectations, of course. The movies came out with a year of each other, but I saw them with completely different mentalities.

I saw 'Shawshank' upon it's re-release in 1995 after being nominated for an Oscar for 1994 (I'd been so lukewarm about it, I'd never even considered seeing it the first time around). It was a Sunday night, I was depressed, and had no expectations at all. For 'Seven', I'd waited for it for it for weeks, and saw it on opening day in the afternoon. I had tremendous expectations. They both were great, but the fact that 'Shawshank' surprised me as well as touched me, and inspired me when I needed it, makes the idea of it just a notch above 'Seven', which wowed me, but also depressed me, and left me feeling like I'd been punched in the gut. A great experience, no doubt, but still a slightly less positive and uplifting experience.

So, after all that blathering, here they are the ending of both movies. On more similarity between them: Morgan Freeman playing the second lead, and narrator, and speaking both film's magical lines -- in one heartening and hopeful, in the other heartbreaking and haunting. First 'Shawshank':



"I hope to make it across the border, I hope to see my friend and shake his hand, I hope the pacific is as blue as it's been in my dreams. I hope." That says it all man, maybe my favorite final line of all time.* If not, it might be this one...



"Ernest Hemingway once wrote 'The world is a fine place and worth fighting for'. I agree with the second part." Poetry. It helps when you have Morgan Freeman elegantly uttering your words, but you've got to tip your hat to Frank Darabont and Stephen King for the amazing words in 'Shawshank' and Andrew Kevin Walker for the stunning work in 'Seven'.**


* Most people don't know this, but the script actually has a lot more dialogue after that line -- there was a whole scene between Andy and Red on the beach written. I know because I have a copy of the script. The scene was a good cut. So good I doubt they even shot it that way for safety (especially because it didn't involve that helicopter shot in the final cut. I was planning on writing something about this someday and posting that never used last scene. Now that I've mentioned it, I'll probably just throw that up as a short post tomorrow. That should give you a reason to get out of bed in the morning.

** I also have a script for this with a different ending, but it's more complicated -- a totally different feel to the work, with Morgan freeman's character ending up in the hospital. Long story.

Thursday, November 6, 2008

Random List: Top 10 Movies Still To Come In '08

It's the start of Oscar season, so what better time to rank the contenders coming out before the end of the year. I’m ranking these in order of how much I want to see them, not necessarily how good I think they’ll be. All I know of these movies is from a trailer and reading about them. This list is all about expectation, and personal taste.

1. 'Milk' -- Even if this wasn’t about a man whose murder was a local story I still remember from my youth, I’d be excited. I’m a sucker for anything with Sean Penn in it, and Gus Van Sant is one my favorites -– especially when he plays it straight (a la ’To Die For’), as he reportedly does here. And the supporting cast includes Emile Hirsch, James Franco, and Josh Brolin.

2. 'The Curious Case of Benjamin Button' -- I’m a huge David Fincher fan, and his two best movies starred Brad Pitt, who plays the title role here. It’s a great idea from a story by F. Scott Fitzgerald, adapted by Eric Roth. And the trailer looks amazing. What’s not to like?

3. 'Frost/Nixon' -- Another true story from my youth, though I was a little young to comprehend. It was a hit play, and is adapted by playwright Peter Morgan. Ron Howard directs, and people are predicting an Oscar nomination for Frank Langella as Nixon.

4. 'The Wrestler' -- Darren Arnofsky. Mickey Rourke’s big comeback -– maybe an Oscar nod. I’m so there. And that’s before I knew personal favorite Marissa Tomei was in it.

5. 'Revolutionary Road' -- Sam Mendes directs an adaptation of a Richard Yates novel, reuniting Kate Winslet (his real-life wife) with her ’Titanic’ co-star Leonardo DiCaprio.

6. 'Valkyrie' -- Director Bryan Singer and screenwriter – the team which brought us ’The Usual Suspects’ -- reunites to relay yet another real life story about the German soldier (played by Tom Cruise) who tried to kill Hitler.

7. 'Defiance' -- Ed Zwick co-writes and directs this tale of bad ass Jews kicking Nazi ass. It stars Live Schreiber and Daniel Craig (who’s already been in one Jews-kicking-Nazi-ass movie, ’Munich’).

8. 'Doubt' -- The underrated John Patrick Shanley adapts and directs his Pulitzer prize-winning play about a priest (Philip Seymour Hoffman) who’s accused of molestation by a bitter old nun (Meryl Streep).

9. 'Australia' -- Baz Luhrmann can get a little fanciful for me, but he can create a spectacle with any filmmaker. Plus, I love Australia (I was there for my marriage/honeymoon). But if at any point Hugh Jackman breaks into song, all bets are off.

10. 'Seven Pounds' -- This Will Smith Oscar bait looks a little sappy/weepy for my tastes, but I needed to round out the 10.